Would You Be E.L. James If You Could?
The weight is heavy on his shoulders. |
And, as with most things in my life, I’m really talking
about me.
When Twilight
first came out, I was about fifteen-years-old. I had been writing for three
years at that time and had definitely decided that it was going to be my
career. Harry Potter, of course, had
already rocketed into popularity, which was my first memory of a book be coming
famous like that, but Twilight was a
whole different ballgame. The reaction to it was like nothing I’ve seen in my
short lifetime, and I would wager a new experience even for people much older
than me.
I would call Twilight
and Fifty Shades of Grey “notorious”
more than famous; I find that the negativity is a large part of what made them
household names, more so than anything else. When I read the young adult vampire
series, I remember liking it pretty well, but it not being my favorite book of
the time. I was a voracious reader in high school and I likely would have
forgotten the series if it had not become what it was.
I have yet to read Fifty
Shades of Grey. I’m hoping to see the movie eventually, and I anticipate on
being scintillated, uninterested in the characters or any non-sensual related
topics, and primarily getting my jollies out by analyzing it from a writer’s
point of view.
What interests me most about these series is that with
the authors exuberant success comes a lot of backlash. Anything popular has
backlash, of course, but nothing save for maybe Kanye West has this much
success rise from hatred. People are outright horrible, albeit sometimes in a hilarious
way, and that anger keeps the books into conversation.
These writers are millionaires, making ridiculous sums of
money off of writing alone. The characters are beloved icons by many, the
creators have an unprecedented say in the film’s productions, and I would argue
that if anyone has the creative freedom that any author would wish for, I would
say it would be them.
And yet, with all that, would you ever want their career?
Maybe.
First, I have to clarify that I have a very specific idea
of what I want to be writing—in terms of the actual process, in terms of the
results, in terms of the reputation. I don’t even want to be George R. R.
Martin (despite having a high affinity and respect for his books) if it meant I
had to write in the style of Game of
Thrones. Not because I don’t like it, but because I want to write the way I
want to write. My goal is to create certain moods, and if I could have success
but meant that I needed to lose my voice or my vision, honestly, I would reject
the idea.
So, no, I would not write the next Fifty Shades of Grey, even if hypothetically it meant popularity
was guaranteed. Style, voice, mood, and even the smiggen of my own personal
philosophy is important to me. If I’m not writing my books, then there is no
point.
This isn’t what I’m wondering though. The bigger perspective
is not based around the kinds of books James wrote, but the actual reaction to
her success.
Would I want mass fame, fortune, and fans if it meant I
would be the target of millions of people’s hate mail? A constant example of
bad writing?
Whether or not this is an accurate assessment (keeping in mind I do not believe in a linear quality of literature) isn’t the point. Would you be willing to be considered a terrible author if it meant success in every other aspect?
And I’m not talking about the typical hate mail most
writers get. I’m pretty obscure and I still get some myself. I’m talking about the
barrage of insults that come along with the mention of your name or your books.
Is it worth it to have loyal, fanatic fans when they are matched with equal
haters?
I bring this up because when I empathize with E.L. James,
it makes me question what I really want out of being a writer.
Have a lot of readers? Yes.
Have a lot of readers? Yes.
Have a lot of readers that fall in love with the
characters? Yes.
Entertain people? Yes.
Have enough sway for creative freedom? Yes.
Make enough money that I can focus on writing? Yes.
Make a ridiculous fortune that I wouldn’t know what to do
with? That would be nice.
But…
Have my name be synonymous with terrible writing? No. No,
way in hell.
Even though it has always been about connecting to
people, even though I have always known that criticism comes with the job, even
though I have long been aware that you’ll never get agreement on what is good
writing, and by the nature of the beast, if someone loves you, it’ll make
someone else hate you, still the idea of being an infamous writer makes
moderate success much more appealing.
If I could have a decent amount of readers with a decent amount of funds and a decent amount of criticism, I would be happy. I would feel successful, and I would prefer that to having ridiculous fans, ridiculous money, and ridiculous hate.
On the other hand, what if it meant complete obscurity? If I had to choose between no readers, no money, and no hate, wouldn’t I prefer to be E.L. James?
Maybe. I guess it all just depends on the options.