Help! I’m Subconsciously Ordinary
I started writing when I was about twelve. I was very into
fantasy. (Still am) My first books were primarily about made-up worlds set in an
England-like medieval age, or Final Fantasy VII, guns and swords type of world.
Very magic based, not Earth.
(Do I like these old stories, you ask? NONE OF YOUR
BUSINESS.)
In any case, I was always interested in enchantment, so that’s
what I wrote about. And low and behold, I was just the right age for Harry Potter. Got a little older and I
went a little darker. I was into the supernatural—vampires and ghosts. When Twilight came around, I was writing
about demons and séances. I love vampires. Never wrote about them because I
believe in sticking with the lore, but when that lore is so convoluted, it’s a
little hard. But I love them. And I found, if you watch my progression as a
young writer to today (No, you may not) you’ll notice a trend, namely trend
following.
Except, and here’s the weird thing, I’m not a trend
follower. Not deliberately. I had long been writing with the sheer ignorance
and naivety that only a teenager of my narcissism could possess. I didn’t pay
attention to what other people were doing. And, in many circumstances, I wrote
my books before the similar one came out. Okay, okay, you’re going to have to
take my word for this, because the point isn’t, I HAVE THE RIGHT TO BE UNORIGINAL,
but what that actually means for me as a writer.
Whatever’s influencing the masses is also influencing me. I
am, for all intensive purposes, normal.
Shit.
Well, of course I am. I’d have to be stupid to think I was a shielded wall of individuality—although it would explain the communication problems I have. But I didn’t realize to what extent it was until the movie Divergent came out.
I… haven’t read the Hunger
Games. Yet. Alright, alright, I’ll get to it, I promise. But I did see the movie, and that counts for
something, doesn’t it? When was that? Movie II just premiered, so Movie I must
have been last year… 2013?
No, I won’t look it up.
Late 2012, I wrote a dystopian novel. It was my first
science fiction book, though I had written many Steam Punk (kind of) style
fantasies that involved fantastical technology. The idea came to me in a very
simple form: I wanted to kidnap someone on a motorcycle, and realized the
kidnapper would have to not slow down for anything to keep her on it. Where
would he be? Subconscious, let’s talk Road
Warrior.
(Foundation
concept, my friends. Foundation. It’s
not Road Warrior; it’s anarchist dystopia,
and the similarities end there. I hope. Leave me alone.)
Anyway, it was a strange derision for me, but it came from living
in my head, so I thought nothing of it. I had, I think, not heard of Hunger Games or Divergent or Matched or
any of the thousands of Young Adult dystopian books that are coming out now. I did just play Fallout New Vegas, if that says anything. For the most part, I wasn’t
worrying about originality—I didn’t think there was anything to worry about. I
didn’t think it would be a trend. It may have been a trend already, but I am
oblivious.
From my perspective, my interest is obvious. I don’t like
Earth. I like living here, sure. I guess. Preferable to the sun anyway. But I
don’t like reading about it. I want a new world to explore. I like fantasy. I’ve
read a lot of fantasy. I’m getting sick of fantasy. Okay, let’s lay off the elves for a while. What else is there?
I believe the interest in dystopia is many people like
different worlds, but many others disrespect other worlds. Say what you will
about the current immature trends in the genre, but dystopian authors rarely
get asked, “So, why dystopia?” Or not as much. As a fantasy author, it’s not
uncommon to have to explain yourself. We take 1984 and A Brave New World
seriously; The Giver and The Running Man, great. Lord of the Rings, nope. Black Cauldron, uh-uh. The Lion the Witch and the Wardrobe? Maybe. Macbeth?
… I don’t think that counts. You know what I mean.
Sure, science fiction
is often remembered as that dime store crap, shelved next to that romance crap,
but the potential for political discussion can often make apocalyptic futures serious.
In any case, the trend from Harry Potter to Twilight
to Hunger Games is obvious. People
are looking for character-based other worlds that tie into internal conflict
and relationships. Most fantasy and science fiction tends to be plot oriented,
typically assumed as “Save the world,” kind of jaunts. Going from fantasylands
to dystopia makes sense, and I’m all for it. These are the kinds of books I
want to read, and I hope the popularity doesn’t stop any time soon.
But what does it mean for me?
I have been working on this book for two years, and it’s the
first one that I really settled down with. Most of them, I write, and then
write something else, because, hey, I like writing. I’m a slut. Commitment
issues, baby. This, however, I chose to be loyal to, and I’m not entirely sure
if I ran around too long.
The Divergent movie came out. And, more importantly, the criticisms came out. Everyone’s talking and I don’t like what I’m hearing. I had no idea just how popular dystopia was until it got over the hill.
But, I don’t normally
think that way. I read an interview with Holly Black about the Coldest Girl in Coldtown and she got the
question, “So, why vampires even though they’re so over done?”
My response, as an objective third-party, was write what you
want to write about, whether it’s popular or not. Duh.
And yet, here we are.
Hunger Games and Divergent and many other new novels are
dystopian. Divergent is about a
young, brave girl in a society that separates people into different factions,
each trying to maintain goodness in the form of one trait: bravery,
intelligence, honesty, kindness, selflessness. Tris chooses bravery, a fraction
that’s job is to protect the other civilians, so she learns to fight, and goes
through some horrific trials, etc. Hunger
games is about a young, brave girl in a society that punishes twelve
districts by taking two of their children and forcing all twenty-four to fight
to the death.
Divergent is criticized
for being a Hunger Games wanna-be.
So, I did read Divergent,
finally, before the movie came out. I’m not going to go into how I feel
about it, because it’s a long story involving a lot of different elements that
has nothing to do with the writing. In any case, I do not think for three seconds
Veronica Roth wrote that book because of
Hunger Games. I really don’t believe
she sat down and said, “What’s popular right now?” or “I’m going to make a
strong female character like Katniss!”
I don’t know where some of these naysayers have been, but “strong
female character” has been a growing stereotype since 1999. (Not to imply that
Katniss is a stereotype. This may have
been a tangent.)
Sure, Hunger Games
might have to do with why Roth got published, but why she wrote it? I don’t
believe it.
But right now the internet is full of people complaining
about too much dystopia. And I know, no matter what happens, I will get called
out for trend following. But that doesn’t bother me nearly as much as the fact
that if I been more diligent and gotten it out faster, it would have been right
on mark, not trying to come out in
the aftermath amongst many others. So many times do I realize that I was a part
of a growing trend too late. So am I doing that now? Am I not working on
something that will be popular in a year? And by that time, I’ve missed the
boat?
Uh…
I think it’s time for the silver lining.
The fact that I am apparently normal can actually be a good
thing. If my tastes organically flow with my peers, than write fast enough,
clearly I can catch a ride before people are like, “Oh God, not another one,” right? Right?
Okay, it’s become apparent that I am average. I need to just
use that to my advantage. Suck it up, you know? If I am so typical, then others
will agree with me. I should listen to my instinct.
Well, my instinct likes this book. My instinct says I’m just
being a coward. My instinct says I have cold feet. My instinct says I’m an
idiot. My instinct might be abusive. Where’s my narcissism when I need it?